LETRAS DE CELULOIDE
TYPOGRAPHY AS A STORYTELLING TOOL
ALONG WITH THE COLOR PALETTE, COMPOSITION, AND THE TREATMENT OF SECONDARY TEXT, EACH TYPOGRAPHIC FORM AND COMPOSITION MUST CONVEY THE ESSENCE OF EACH FILM. IN THE ABSENCE OF PHOTOGRAPHY AND OTHER EFFECTS, SIMPLICITY BECOMES THE PRIMARY TOOL FOR EXPRESSION, TRANSFORMING 'LETRAS DE CELULOIDE' INTO A VISUAL STORYTELLING EXERCISE.